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暑假作業 11268 2014-08-14 09:46:31
文章明稱:
身體觀點－體現與身體心像
Perspectives on Body: Embodiment and BodyImage
作者明稱: 張秀如(Shiow-Ru Chang) ；
余玉眉(Yu-Mei Yu Chao)
資料來源:
護理雜誌 ； 54 卷 3 期 (2007 / 06 / 01) ，
P77 - 81
內容摘要:
「身體」是人類科學的基本概念。本文整理現有的文獻，分別從經驗主義、觀念主義、存在主義及現象學的哲學觀點論述「身體」的概念，以及身體與心智的關係。「體現」及「身體心像」是本文兩個主要概念，以Merleau-Ponty的哲學觀點闡述「體現」，已成為理論發展的新領域，「體現」的研究必須著重在生活經驗，例如身體心像的研究，以Schilder的社會心理學觀點為基本架構，來解釋「身體心像」概念；同時從社會文化的觀點，探討東西方女性的身體心像。身體的形狀及大小對女性的自我心像扮演重要角色，每個人的身體心像終其一生都在演變，不斷地被建構、解構，又重建起來。無論是正向或負向的身體心像都深深影響一個人的心理層面，女人尤其容易受到影響。本文豐富的論述，可做為「身體」知識的主體，並提供臨床實務及研究的參考
Body” is a basic concept of both the natural and human sciences. This extensive review of the literature explores the various philosophical approaches to the body, including empiricism, idealism, existentialism and phenomenology, as well as the relationship between body and mind. Embodiment and body image are the two main concepts of body addressed in this article. Merleau-Ponty's perspective on embodiment, an important new area of theory development, emphasizes that embodiment research must focus on life experiences, such as the study of body image. Using Schilder's framework of psychosocialology, this article provides a comprehensive understanding of the concept of body image and women's perspectives on the ”body” in both Western culture and Eastern cultures. Body size and shape significantly influence the self-image of women. Body image is something that develops and changes throughout one's life span and is continually being constructed, destructed, and reconstructed. Personal body image has important psychological effects on the individual, especially women. This integrative review can make a significant contribution to knowledge in this area and, consequently, to related practice and research.
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暑假作業 11268 2014-08-14 09:32:20
文章明稱:
身體觀點－體現與身體心像
Perspectives on Body: Embodiment and Body
Image
作者明稱:張秀如(Shiow-Ru Chang) ；
余玉眉(Yu-Mei Yu Chao)
資料來源:
護理雜誌 ； 54 卷 3 期 (2007 / 06 / 01) ，
P77 - 81
內容摘要:
「身體」是人類科學的基本概念。本文整理現有的文獻，分別從經驗主義、觀念主義、存在主義及現象學的哲學觀點論述「身體」的概念，以及身體與心智的關係。「體現」及「身體心像」是本文兩個主要概念，以Merleau-Ponty的哲學觀點闡述「體現」，已成為理論發展的新領域，「體現」的研究必須著重在生活經驗，例如身體心像的研究，以Schilder的社會心理學觀點為基本架構，來解釋「身體心像」概念；同時從社會文化的觀點，探討東西方女性的身體心像。身體的形狀及大小對女性的自我心像扮演重要角色，每個人的身體心像終其一生都在演變，不斷地被建構、解構，又重建起來。無論是正向或負向的身體心像都深深影響一個人的心理層面，女人尤其容易受到影響。本文豐富的論述，可做為「身體」知識的主體，並提供臨床實務及研究的參考。
”Body” is a basic concept of both the natural and human sciences. This extensive review of the literature explores the various philosophical approaches to the body, including empiricism, idealism, existentialism and phenomenology, as well as the relationship between body and mind. Embodiment and body image are the two main concepts of body addressed in this article. Merleau-Ponty's perspective on embodiment, an important new area of theory development, emphasizes that embodiment research must focus on life experiences, such as the study of body image. Using Schilder's framework of psychosocialology, this article provides a comprehensive understanding of the concept of body image and women's perspectives on the ”body” in both Western culture and Eastern cultures. Body size and shape significantly influence the self-image of women. Body image is something that develops and changes throughout one's life span and is continually being constructed, destructed, and reconstructed. Personal body image has important psychological effects on the individual, especially women. This integrative review can make a significant contribution to knowledge in this area and, consequently, to related practice and research.
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暑假作業 11268 2014-08-14 09:29:05
文章明稱:
蛙人身體的深層經驗－從身體受苦凝視生命意義
The Profound Experience of a Frogman's Body: The Meaning of "Suffering"
作者明稱:
李佑峰(Yu-Feng Lee)
資料來源:
運動文化研究 ； 21 期 (2012 / 12 / 01) ，
P69 - 112
內容摘要:
本研究從當事者自身的服役過程展開，逐步進入研究者的內心世界，不僅看見外在結構與研究者之間的關係，也清楚指出影響研究者自身作決定的背景與細膩過程，在質性研究中屬於自傳性格強烈的實驗性文本。透過生活語言的敘說知識論，重返自然科學無法探究的真實生命經驗，從自身蛙人「受驚嚇」的身體、「受震撼」的身體、「受磨難」的身體、「被凍僵」的身體當中，窺見隱含其中的獨特意義，並歸類出四個層次的身體受苦意義，分別為「自願的身體之苦成就自我勇氣」、「突來的身體之苦提醒無常皆在」、「極限的身體之苦摧毀小我存在」、「運動的身體之苦促發人類潛能」。期盼由深層經驗的探究中，提供給身體文化研究一個截然不同的視野。
The study started from the researcher's enlistment in the army, gradually probed into the inner world of the researcher. Not only was the relationship between the outer world and the researcher himself displayed, the researcher also clearly indicated the internal thoughts and subtle inner process which influenced the decision-making scenario. It is an experimental text that contains strongly autobiographic elements in the qualitative field. Through narrative epistemology, the researcher explored the real life experience that natural science could hardly investigate. From the researcher's frogman's experience, his ”scared” body, ”shocked” body, ”suffered” body, and ”frozen” body presented unique meanings, through which four levels of physical sufferings were provided: A. the voluntary physical suffering completed the self courage; B. the sudden physical suffering suggested the existence of life uncertainty; C. the unlimited physical suffering destroyed the self existence; D. the sports physical suffering stimulated the human potential. The researcher expected to provide physical and cultural research a totally different vision through this profound experiential narrative.
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暑假作業 11268 2014-08-14 09:27:22
文章明稱:
銀髮族身體活動量對身體組成之
相關探討－以屏東縣內埔鄉為例
作者明稱:
蔡永川
資料來源:
2010南台灣運動休閒產業理論與實務研討會專刊 ；
2010 (2010 / 12 / 01) ， P176 - 176
內容摘要:
研究目的：探討屏東縣內埔鄉銀髮族身體活動量對身體組成的影響。研究方法：138位年齡在50歲以上的銀髮族群，使用國際身體活動量表（IOAQ）及身體組成分析儀（In Body220）作為實驗施測工具，所得數據使用SPSS17.0版統計軟體進行描述統計及皮爾森積差相關法分析。結果顯示：1. 從事費力及中等費力及輕度活動時間每人平均分別為117.31、237.50及266.52分鐘，遠高於身體活動量足夠的定義，一週費力活動60分鐘或是中等費力活動150分鐘的平均值，但卻有高達60.1％人次屬於活動不足。2. BMI 24.93（男性25.21、女性24.64）、腰臀圍比0.94（男性0.95、女性0.94）、脂肪量百分比31.6％（男性27.1％、女性36％）、肌肉量百分比37.0%、礦物質百分比4.53%、基礎代謝率1295.54（kcal）。腰臀圍比及脂肪量百分比遠高於國健局建議標準。3.身體活動量與身體組成相關分析：（1）脂肪量及腰臀圍比與輕度活動總時間呈現負顯著相關，費力及中等費力卻無顯著差異。（2）肌肉量及礦物質百分比與輕度活動總時間呈現正相關，費力及中等費力也無顯著差異（3）銀髮族群身體總活動時間的差異相當大，近四成的銀髮族有足夠身體活動量，整體身體組成數據也較佳。研究建議：未來宜對更多銀髮族族群，尤其是身體活動不足者施以運動處方介入，以探究運動對銀髮族身體組成影響程度，提升應用價值。
研究目的：探討屏東縣內埔鄉銀髮族身體活動量對身體組成的影響。研究方法：138位年齡在50歲以上的銀髮族群，使用國際身體活動量表（IOAQ）及身體組成分析儀（In Body220）作為實驗施測工具，所得數據使用SPSS17.0版統計軟體進行描述統計及皮爾森積差相關法分析。
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暑假作業 11268 2014-08-14 09:23:54
文章明稱:
純粹舞蹈身體的深層意涵
The Dialectic of Pure-Body
作者明稱:
楊綺儷(Chi-Li Yang)
資料來源:
運動文化研究 ； 13 期 (2010 / 06 / 01) ，
P23 - 51
內容摘要:
二十世紀末，東方身體逐漸被西方劇場舞蹈所看見，間接的激發了臺灣劇場舞蹈東方體熱的興起。這股風潮的脈絡，向來與台灣社會長期積滯的政治氛圍、文化生態息息相關，顯見，近年來東方體熱的現象，已使得身體失去作為舞蹈表達主體的純粹性。基於此，本文主要的目的在藉由舞蹈身體的隱喻，揭露純粹舞蹈身體的特質及其存有經驗的豐富性。
經由舞蹈身體隱喻的揭示，我們發現純粹舞蹈身體具有原初的∕有機的、原動的∕創造的、淨化的∕冥合的、想像的∕反身的、書寫的∕閱讀的等五個特質。也由於純粹舞蹈身體蘊涵以上特質，因此，只要舞蹈身體回返「前身體」的純粹性，以身體最原初的狀態與具體環境進行肉身對話，那麼純粹舞蹈身體即能深度開展我們創造的、超越的、淨化的、深化的、轉化的、體道的生命經驗。
At the end of the twentieth century, a trend which was inspired by the concept of ”Oriental Body” in the western theater dance had, directly, stimulated the rise of ”Oriental Fever” in local theater dance field. This trend seemed inevitable since it was widely held that ”nativization” had been viewed as the solution to the long stagnated political atmosphere and cultural ecosystem here in Taiwan. As the result of this latest trend of the feverish pursuit, it is obvious that we no longer see the implementing of body the main and/or only vehicle in dancing representation. In the light of this dramatic shift, the author intends to use metaphors derived from dancing body to expose the characteristics and richness of dancing body in terms of Chuang Tze's views of body.
By means of the implications of metaphors derived from the dancing body, we can discover that the so-called ”pure” dancing body poses characteristics of being primitive but organic, original while creative, purified but in union with outside world, imaginary and reflective, and writtenly and readable. It is also because of these characteristics, one can, therefore, open the path of an in-depth journey into most creative, uppermost, purified, intensive, transformational, fulfilling realization of life and its experiences through the return to the pre-body and by ways of conducting the dialectics between pure and fleshly bodies.
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